Although I’ve primarily written instrumental works over the last few years, I’m fascinated by the possibilities and impossibilities of the human voice. I don’t consider myself to be a great singer, but I nonetheless grew up singing choral music, performing in state competitions, and trying my best to fit my voice into the box of what I believed “classical” technique was. As I’ve started writing music and discovering more genres and styles, I’ve found myself wanting to make my vocal writing more nebulous, more improvisatory, and uglier. I started to think about vocal lines that I knew would be impossible to sing because of their range, their tempo, and the acrobatic feats it would take to traverse the jumps and dips of the notes.
I wrote Out Into the World as a huge, unending scream into the void of 2020, a response to the physical, spatial, and mental limitations I’ve bumped up against over the course of the year--there have been so many pent-up feelings that have been simmering, that I have not been able to put into words yet. The chamber ensemble provides a backdrop of transforming textures for the singer to respond to, to duet with, and, sometimes, to defy. I think of this line as a character singing themselves into being, finally able to become self-aware and respond to the outside world with full feeling, with anger and with joy. After several months of feeling pretty numb, this act is starting to feel a little less impossible.
Haley Olson is a composer, pianist, and vocalist based in St. Paul, MN. Her music, which encompasses spacious sound worlds and explores themes of connection and isolation, has been performed across the country. An active music educator and performer, Haley teaches composition to students of all ages and performs in shows throughout the Twin Cities.
SoundCloud:
soundcloud.com/h-elizabeth-1
Instagram: @theritenotes
Facebook:
facebook.com/h.elizabethmusic/